Bars 17-19 The solo kicks off with some Marty Friedman-style string bends, before a descending diatonic arpeggio based around C major and B major, and concludes with an E minor figure that ...

Then, cue a thrilling C major descending scale and a return of the concerto's triumphant main theme. It's a wonderful moment in music. But just witness how completely badass Ott makes it sound, with a ...

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Then, cue a thrilling C major descending scale and a return of the concerto's triumphant main theme. It's a wonderful moment in music. But just witness how completely badass Ott makes it sound, with a ...