Painting ‘Beale Street’ with Ecstatic Emotional Color and Documentary Realism How Barry Jenkins and production designer Mark Friedberg used innovation and emotion in adapting James Baldwin. By ...

It’s clear that color was a critical factor, in designing looks for Beale Street. The way in which you applied yellow and blue hues to Tish and Fonny was particularly memorable, with each ...

If you've seen photos of striking Memphis sanitation workers holding "I Am a Man" signs, you've seen the work of Ernest Withers. But, have you seen the museum dedicated to his work?

Brian Tyree Henry talks If Beale Street Could Talk, Widows, Spider-Man: Into the Spider-Verse and representation and inclusion in Hollywood.

But while If Beale Street Could Talk may invoke Wong with its intensely saturated colors and glamorous swirls of cigarette smoke, it isn't simply paying homage. There's a political dimension to ...

Production designer Mark Friedberg has worked on a number of very different New York City-based movies, with an even wider array of directors – ranging from Jim Jarmusch on a low-budget indie to ...