and author of the 2014 book Music and the Making of Modern Science. “It has no justification in experiment exactly; it just represents something that he’s imposing upon the color spectrum by analogy ...
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‘Harmony and Dissonance: Orphism in Paris, 1910-1930’ Review: A Carnival of ColorAlthough it welcomes influential 19th-century Pointillist artworks by Paul Signac and Michel Eugène Chevreul’s groundbreaking color theory book, from 1864, the show could have benefited from a ...
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