So popular is artistic impressionism that exhibitions of Monet, Renoir, Degas and company are art museums’ equivalent of Nutcracker, A Christmas Carol and the Beethoven Ninth Symphony ...

Edinburgh art lovers are being given the opportunity to enjoy not one but two stunning multimedia experiences this Christmas.

(Tierney L. Cross for The Washington Post) Review by Philip Kennicott Visitors to the National Gallery of Art’s marquee exhibition, “Paris 1874: The Impressionist Moment,” encounter two very ...

the exhibition that served as the bastion of the traditional art establishment, and exhibiting with the upstart Impressionist group. She went on to show her work in all but one of its eight group ...

For museums and their public, Impressionism is the Goldilocks movement: not too old or too new, not too challenging or too sappy; just right. Renaissance art may baffle with arcane religious ...

In retrospect, Impressionism can seem somewhat inevitable, a necessary reaction against the constraints of a conservative art establishment. “The Impressionist Moment” shows this isn’t the case.

“This catalogue was the companion to the exhibition at the National Gallery of Art and the de Young Museum held in 1986 to commemorate the 100th anniversary of the final Impressionist exhibitio ...

Turning Point: In 2024, 150 years after the first Impressionist exhibition forever changed the art world, Adriano Pedrosa became the first Latin American curator in the history of the Venice Biennale.

Three famous Impressionist paintings are about to undergo a major restoration at a Connecticut museum this month and the work is on display for the public to view. Art conservators David Bull and ...

Visitors to the National Gallery of Art’s marquee exhibition, “Paris 1874: The Impressionist Moment,” encounter two very different works upon entering. Side by side are a large, detailed ...