Director Gareth Edwards explains how shooting on film brings texture, mystery, and movie magic to the latest Jurassic epic ...

“Nosferatu” was shot on film, something Blaschke was no stranger to using. However, he was determined to use real fire this time around, and not electrify things.

It’s a pretty basic camera move. The gist is that a camera, usually on a track or Steadicam rig, moves forward into the subject, going from a wide shot to a medium shot. J.J. Abrams does this a lot.