When ‘Anora’ began its ascent in the Cannes Film Festival, director Sean Baker made it a point to watch the restored version of late great Filipino director Lino Brocka’s ‘Bona’ in the event’s Classic ...

In our latest critical piece, Professor Seán Patrick Donlan weighs in on Oscar's newest darling, indie filmmaker Sean Baker.

The film's magical realism is its more intriguing and original aspect, with its open question of whether Bird exists and how much of what we see of him is real or in Bailey's imagination.

Night Waves British Social Realism in Film British Social Realism The cultural movement labelled 'kitchen sink realism' gave urgent, vivid expression to the reality of post-war Britain, through ...