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Joslyn Art Museum, University of Nebraska at Omaha Collection . This 1932/1942-54 work, American Painting, hangs in the exhibition “Stuart Davis: In Full Swing” at Crystal Bridges Museum of ...
In ‘Lucky Strike,’ Stuart Davis repurposed the imagery of tobacco packaging, becoming the first artist to capture the modern American ‘landscape’ of consumer culture.
S o the fact that “Stuart Davis: In Full Swing,” a major, traveling exhibition now at the Whitney Museum of American Art, would omit Davis’s entire early Ashcan development, and instead start its show ...
Unlike most of the other works in the gallery, which were gifts of Mrs. John D. West, the Stuart Davis piece came to the museum in a rather unusual manner.
Painter Stuart Davis called Gloucester “the place I had been looking for. ... They were Ashcan works, transposed from city to sea: “The Morning Walk (Harbor View),” 1919, ...
Stuart Davis' Lucky Strike, finished in 1924, shows his interest in packaging, in this case cigarettes--like Synthetic Cubists, Davis found tobacco to be essential for modern life. "Stuart Davis ...
The resultant four paintings hang mesmerizingly now on a single wall in a stirring exhibition of some 100 works by the artist, “Stuart Davis: ... to produce mostly street scenes in the Ashcan style.
Crystal Bridges exhibit features 86 Stuart Davis works. September 15, 2017 at 4:30 a.m. by Robbie Neiswanger ...
Estate of Stuart Davis/Licensed by VAGA, New York While this presentation wisely focuses on works made after 1929, when he returned to the U.S. from a seminal year in Paris, the earliest inclusion ...
For lovers of American modernism, Stuart Davis (1892-1964) ... In Full Swing,” the well-chosen survey of more than 80 significant works now at the Whitney Museum of American Art, ...
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