Sophie Kemp’s surrealist character Reality Kahn has one clear goal in “Paradise Logic”: to become the perfect girlfriend.

Alex Ullom’s directorial debut “It Ends” explores post-grad life with existential horror and humor that deftly captures Gen Z ...

Sold as a post-apocalyptic rock-opera, “O’Dessa” is instead a basic pop mishmash that is more boring than intriguing.

Director Jess Varley’s directorial debut at SXSW, “The Astronaut,” is a disappointing recreation of better films with an odd ...

A look into how Chloé Lee’s latest documentary “Reflections of Little Red Dot” interactively shares Singapore’s history.

The Michigan Daily sat down with Shana Weber, associate vice president for campus sustainability, to discuss carbon emissions ...

There’s Still Tomorrow,” also directed by Cortellesi, finds Delia right before the 1946 Italian Institutional Referendum — ...

In his latest spy film, director Steven Soderbergh creates a sleek, glamorous story that’s ultimately nothing special.

Netflix’s latest political thriller, “Zero Day,” offers a possible answer to this with a mix of high-stakes drama, spycraft ...

Jewish faculty and students at the University of Michigan sent two letters to University President Santa Ono Wednesday ...

With a total staff of 33 photographers and editors, 21 of whom are women, it’s safe to say that The Michigan Daily’s photo staff is a woman-dominated group. However, the sports photography industry is ...

There is an inherent conflict between fun shooting in FPS games and effective anti-war messaging. Or is there?