Lucifer, whose name means "light bearer," is one of the most complex and significant figures in Christian tradition.

In this age of transhumanist temptation, Frankenstein is as relevant as the inflatable ogre billowing in the front yard.

Matthew Ritchie discusses the influence of John Milton’s 1667 epic poem Paradise Lost in his 2008 exhibition The Morning Line. RITCHIE: Paradise Lost is one of the great books that nobody’s ever read.

In a third, he etched a short-shafted arrow, a motif he would later use in two of his watercolor paintings of Milton’s Paradise Lost. “For the first time since they were made, we can now see ...

With a genre that has been defined by the bone-chilling sounds that accompany it, which horror films have perfected the art of the needle drop?

Cue Kin and the city’s first Rising Arts Festival, which will run in different venues around Sarasota from Nov. 10-17 and ...

To say that Christianity has less mystery or art than Orisha should ... Petrarch, Milton, Blake, Dickens. One of such works is Paradise Lost. Thomas Mann’s Joseph and His Brothers is an epic ...

Sontag touches on the various means by which Nazi art especially has become acceptable as museum ... is a reworking of Satan's treachery in Paradise Lost, but there is also a character called Obiwan ...

The latest is a state-of-the-art affair with temperature-controlled vaults and ... is arranged and pressed in a sheet of newspaper (Banks was using copies of a commentary on Milton’s Paradise Lost), ...

Orlando Reade’s fascinating history of John Milton’s epic shows that Paradise Lost may still be a poem for our times, writes ...

Orlando Reade examines John Milton’s biblical poem from the viewpoint of 12 historical figures, from Malcolm X to Jordan ...