Black and white photography isn’t just regular photography without the color. It’s smooth, rich and deep, or raw, punchy and ...

From Alfred Hitchcock popping up in as an extra to Pac-Man chomping the scenery in Tron, film, TV and video games are full of secret nods to the audience. What better time than Easter to explore the ...

Every day, our award-winning visuals team spans out across the state, and occasionally the nation and world, to document all ...

There’s an oft-repeated phrase people use after watching certain films — it is “slow.” I didn’t understand it then, I don’t ...

Two works—a new film, The Shrouds, and a career-spanning monograph by the film critic Violet Lucca—present a more sanguine ...

Here’s a look at the sweet and the sour, the good and the bad — and what to watch.

In another episode of Shilpa Shetty’s gobsmacking backstage looks, the diva adorns a structured corset top and draped skirt. Explore her recent style ...

The real issue with “Opus” is that it promises enigmatic mysteries but delivers inadequate answers through shallow writing.

It colored our ambitions, our sense of self, our relationships, our bodies, our work, and our art.

Cinematographer Hillary Fyfe Spera tells IndieWire about setting a thrilling atmosphere both in and out of Matt Murdock's vision.